Amiri Fall-Winter 2026

By the Editorial Staff

Guests arriving at Amiri in Paris were met not by a conventional runway, but by a staged domestic intimacy: plush armchairs scattered across the set and a faux library backdrop suggesting private luxury. For a fleeting moment, one wondered whether fashion’s emissary of California cool was drifting toward Ralph Lauren territory.

Backstage, Mike Amiri clarified the vision. The décor evoked a 1970s Laurel Canyon house party, a nod to the Los Angeles enclave once home to bands like Eagles. It was less about East Coast polish and more about West Coast mythmaking.

Among the guests: Jeff Goldblum and Emilie Livingston, fresh off a performance at the Troubadour in L.A., where Goldblum played with his jazz band. Introduced to Amiri by stylist Andrew Vottero, the actor radiated enthusiasm. The alignment makes sense, Amiri’s clothes carry undeniable main-character energy.

Fall was a study in individuality through vintage archetypes. Western suits recalling Johnny Cash and Elvis Presley anchored the lineup: metal-tipped lapels, floral embroidery, contrast piping. Rendered in saturated hues, deep vine, dusty rose, electric seafoam, and paired with metallic cowboy boots, they felt theatrical without slipping into costume.

Elsewhere, the collection elevated flea-market nostalgia: crystal-embroidered cardigans, washed leather jackets, embellished shirts. Some silhouettes nodded to Buddy Holly; others evoked Jackson Browne. The throughline was sincerity. “It’s not about loud or quiet fashion,” Amiri noted. “It’s about something that touches people emotionally.”

And indeed, emotion is Amiri’s currency, glamour filtered through authenticity. Still, the presentation itself hinted at untapped potential. With his deep ties to music culture, recall DJ Premier’s performance at Fall 2023, one could imagine a stronger sonic presence amplifying the narrative. Coincidentally, Goldblum’s upcoming album Night Blooms drops June 5. The synergy writes itself.

For now, Amiri remains steadfast in his lane: cinematic California romanticism translated for Paris. Not nostalgia for nostalgia’s sake, but myth, tailored and turned up under the lights.

This article is an original editorial analysis produced by [DIBA magazine]

Research and references are used for contextual accuracy.